Study Tracks

These study materials are posted to help our members with learning and reviewing our music. The videos are for example purposes, and the audio files can be played in your browser or downloaded.

For recordings of our rehearsals on YouTube, please click here. You will need the password provided to current season singers to access the page.

 

Spring 2026

Study Materials will continue to be added, so check often for updates! These pieces are in alphabetical order. A tentative concert order will be provided later in the season. Please note: the recorded examples are so you can hear the full piece, but they do not necessarily represent the exact way we will aim to sing each song. Please make sure you are following any markings given in our rehearsals when singing along with these examples.

 

Full Group Pieces

Bridal Chorus

Beginning and pg. 195, Soprano
Beginning and pg. 195, Alto
Beginning and pg. 195, Tenor
Beginning and pg. 195, Bass (do not sing last three notes at end of piece)
Bottom of pg. 193, Soprano I & II
Bottom of p. 193, Alto I & II
 
Text and Translation – you can copy and paste the couplets into Google translate to listen to German pronunciation.

 

Don’t Be Cruel (Tenor/Bass Only)

Full Piece, Tenor
Full Piece, Baritone
Full Piece, Bass

 

Do You Hear the People Sing?

Beginning, Tenor & Bass
Pickup to m. 17, Soprano & Tenor
Pickup to m. 17, Alto & Bass
Optional Alto II part at beginning of refrain
Pickup to m. 25, Soprano & Alto
Pickup to m. 25, Tenor & Bass
Last 4 bars, Soprano & Alto
Last 4 bars, Tenor & Bass

 

Don’t Stop Me Now

Beginning, Soprano & Alto
Beginning, Tenor & Bass
m. 16, Soprano – slow tempo
m. 16, Alto – slow tempo
m. 16, Tenor – slow tempo
m. 16, Bass – slow tempo
Pickup to m. 65, Soprano & Alto
Pickup to m. 65, Tenor & Bass

 

Duke of Earl (Tenor/Bass Only)

  • Tenor I – begin on tenor line; switch to solo line at pickup to m. 17; tenor line at m. 25 beat 3; solo line at pickup to m. 33; tenor line at m. 41; solo line at m. 45; tenor line at m. 53 until end
  • Tenor II – begin on baritone line; switch to tenor line at pickup to m. 17; baritone line at m. 25; tenor line at pickup to m. 33 until end
  • Tenor II Baritones – as above, but switch to baritone line for m. 41-44 and m. 53-end
  • Bass I – begin on solo line; switch to baritone line at pickup to m. 17; solo line at m. 25; baritone line at pickup to m. 33; bass line at m. 41; baritone line at m. 45; bass line at m. 53 until end
  • Bass I Baritones – as above, but stay on baritone line at m. 41 and m. 53
  • Bass II – stay on lowest bass line throughout

    Full Piece, Tenor 1
    Beginning, Tenor II
    M. 41, Tenor II
    Beginning, Bass I
    m. 41, Bass I
    Full Piece, Bass II

     

    Greensleeves

    Verses, all voices
    Refrain, Soprano
    Refrain, Alto I
    Refrain, Alto II
    Refrain, Tenor
    Refrain, Baritone
    Refrain, Bass
    m. 39, Soprano
    m. 39, Alto
    m. 39, Tenor
    m. 39, Bass
    m. 39, All Voices

     

    Hail Holy Queen (Soprano/Alto Only)

    Beginning, Soprano I
    Beginning, Soprano II
    Beginning, Soprano I & II
    Beginning, Alto
    Pickup to m. 23, Soprano I & II
    Pickup to m. 23, Alto
    m. 61, All Voices
    m. 57, Second Time – to Coda, All Voices

     

    Hirtenchor (Shepherd’s Chorus)

    m. 19, Soprano
    m. 19, Alto
    m. 19, Tenor
    m. 19, Bass
    m. 55, Soprano
    m. 55, Alto
    m. 55, Tenor
    m. 55, Bass
    mm. 19-87, Soprano & Alto
    mm. 19-87, Tenor & Bass
    m. 122, Soprano
    m. 122, Alto
    m. 122, Tenor
    m. 122, Bass
    m. 122, Soprano & Alto
    m. 122, Tenor & Bass
     
    m. 91, Soprano (Soli Quartet)
    m. 91, Alto (Soli Quartet)
    m. 91, Soprano & Alto
    m. 95, Tenor (Soli Quartet)
    m. 99, Bass (Soli Quartet)
    m. 95, Tenor & Bass
     
    Text & Translation – you can copy and paste the couplets into Google translate to listen to German pronunciation.

     

    Mahalo Piha (Soprano/Alto Only)

    Hawai’ian pronunciation
    Full Piece, Soprano I (reading Tenor line up one octave)
    Full Piece, Soprano II (reading Soprano line)
    Full piece, Alto I (reading Alto line)
    Full Piece, Alto II (reading Bass part up one octave)
    Top of page 10, All Voices

     

    Man in the Mirror

    Man in the Mirror – m. 28, Soprano/Alto
    Man in the Mirror – m. 28, Baritone
    Man in the Mirror – m. 56, All Voices
    Man in the Mirror – m. 65, Soprano I
    Man in the Mirror – m. 65, Soprano II
    Man in the Mirror – m. 65, Alto
    Man in the Mirror – m. 65, Baritone

     

    Stand By Me

    Soprano
    Alto
    Tenor
    Bass

     

    To the Hills and the Vales


    Note: This recording does not include the repeat of the “Go revel” section at the end of the piece.

    Soprano
    Alto
    Tenor
    Bass

     

    Tu Solus, Qui Facis Mirabilia

    Beginning, Soprano
    Beginning, Alto
    Beginning, Tenor
    Beginning, Bass
    Page 6, Soprano
    Page 6, Alto
    Page 6, Tenor
    Page 6, Bass
    Page 9, Soprano
    Page 9, Alto
    Page 9, Tenor
    Page 9, Bass
    Full Piece, Soprano & Alto
    Full Piece, Tenor & Bass

     

    You’ll Be Back

    m. 21, Soprano
    m. 21, Alto
    m. 21, Tenor
    m. 21, Bass

     

    Zadok the Priest

    No. 1, Soprano I
    No. 1, Soprano II
    No. 1, Soprano I & II
    No. 1, Alto I
    No. 1, Alto II
    No. 1, Alto I & II
    No. 1, Tenor
    No. 1, Baritone
    No. 1, Bass
    No. 1, Tenor, Baritone, & Bass
     
    No. 2, Soprano
    No. 2, Middle
    No. 2, Alto
    No. 2, Tenor
    No. 2, Bass
     
    No. 3, Beginning, SI & SII
    No. 3, Beginning, Alto I
    No. 3, Beginning, Alto II
    No. 3, Beginning, Tenor
    No. 3, Beginning, Bass (reading 2nd Bass line)
    No. 3, Rehearsal C, Soprano I
    No. 3, Rehearsal C, Soprano II
    No. 3, Beginning, Alto I
    No. 3, Rehearsal C, Alto II
    No. 3, Rehearsal C, Tenor
    No. 3, Rehearsal C, Bass
    No. 3, Rehearsal E, Soprano
    No. 3, Rehearsal E, Alto I
    No. 3, Rehearsal E, Alto II
    No. 3, Rehearsal E, Tenor
    No. 3, Rehearsal E, Bass